Archive for category Guest Artists

BTB&TR

Between The Bridge and The River DETAIL - Woody Hansen Watercolor
BTB&TR – DETAIL – Original Watercolor Painting by Woody Hansen
(Click image to view entire painting)

This painting is a non-objective, demonstration piece from my current, weekly watercolor classes. It consists of of three or four layers, one over the other with drying time between each layer. The dominate shape is derived from a newspaper photograph of four men in suits, possibly businessmen or politicians. The subject matters not, only the basic, dark and light shapes are of concern here.

The first layer is the “light” layer. I use three, high key values (light light, medium light, dark light) of transparent primary colors to lay in a wet-on-wet, non-objective pattern. The layer is allowed to dry.

Next comes the second, or medium value layer. This is done, wet-on-dry, and where the initial shapes are described within the rectangle. I create a mid-value intermediate tertiary color with which to develop the initial pattern. Before continuing, this layer is also allowed to dry.

The third and final layers, all wet-on-dry, are used to further develop. adjust. and define the over-all design.

BTB&TR is an abbreviation of Between The Bridge and The River. The name really has little to do with the

    originalintent of the painting. The title is arrived at, not before, but after the painting is completed.

    Upon finishing this non-objective watercolor I sense a feeling of the fury of a raging fire. I thought about naming the painting, Fire and Fury. Maybe I should have stuck with that original title. It is certainly much shorter in length. However, a book and an interesting religious concept came between the painting and the original title.

    I recently completed the audio book version of Craig Ferguson’s American On Purpose (The Improbable Adventures of An Unlikely Patriot). It’s a great read. I haven’t had so much fun since the days of creative radio and television personalities Don Sherwood, Al Jazzbo Collins, Steve Allen, and Johnny Carson)!

    Chapter 40 (Between The Bridge and The River), of Craig’s book seems fitting to the feeling of the painting. Also, in some small way, it is my recognition, respect, and appreciation of Craig Ferguson’s artistically creative approach to late night television.

    In the late 50’s I was fortunate to spend many Sundays as a disc jockey (“And now, here is your local announcer …’) spinning very large discs or platters (vinyl records) of a religious program. The name of the program escapes my memory, but the featured speaker was Father Keller who always ended his transcribe program with, “It is better to light one little candle than to curse the darkness.”

    What, you inquire, do the above five paragraphs have to do with my watercolor painting, Craig Ferguson, fire and fury, and religion? Read or , better yet, listen to the book.

    Colors: Religious Red, Devilish Scarlet, Blistering Yellow, Purgatory Blue, and Grim Reaper Black.

    For more information, including price and availability, click here.

Marvin Schenck Exhibit

Seascape by Marvin Schenck

This is a blog about watercolor. At this posting I am not sure If this exhibit includes any watercolors. However, Marvin is a friend and in this case friends trump format. So, if you are in the area go see the show. And, if you think about it ask to see the watercolor paintings (grin)!


alt="Seascape by Marvin Schenck"/>

Join Us At The State Fair!

State Fair LogoState Fair Logo

By popular demand (sound the trumpets!) fellow watercolorist David Peterson and I will participate in two major events at this year’s California State Fair! File under the heading: If you don’t toot your own horn, who will?

The first event is the 2008 Plein Air at the Fair paint-out August 22, 23, and 24 (Friday, Saturday, and Sunday), during normal fair hours. This is not a competitive event, but a “just for fun” paint-out. We will join other artists who will be painting at various fairground locations all three days capturing the “magic of the California State Fair,” as part of Arts Day 2008 (Saturday, August 23rd). All participating artists will have the opportunity to display and/or offer works for sale each day at a special area in the California Fine Art Exhibit hall (Building 7, Expo Center). So if you’re going to the fair and would like to know our general painting location(s) for the day, feel free to contact either or both of us by e-mail and maybe we can link up with you somewhere on the fairgrounds.

For the second event, David and I will do numerous indoor watercolor demonstrations on Wednesday, August 27th, and Thursday, August 28th. We’ll do our best to entertain and inform at our special booth from 12 noon to 10 PM each day. Look for us in Building 7, Expo Center. We’ll be happy to answer your watercolor questions, tell you about private and group workshops, regional art groups, paint-outs, and/or discuss/debate all things watercolor. Join us with an open, inquisitive mind and your time will be well spent. Who knows, what you see and hear might just surprise you (we have a few surprises up our sleeves)! And, each of us will have lots of original watercolor works on site for your viewing pleasure and purchase (think special fair prices). It will be a great fun and informative special event for people of all ages! So, please be sure to drop by and say, “Hello!”

View official State Fair scheduling information for August 27 and 28. Scroll down two thirds of the page and you’ll find us listed under “Arts and Culture.”

GUEST ARTIST – Jeff Kennedy

#18 - Drawing of fishing fly by Jeff Kennedy
No. 18 – Coffee, Pen and Ink sketch by Jeff Kennedy

Although I have yet to meet Jeff personally, he’s one of many friends I’ve met thanks to the Internet. Jeff is one talented, busy person who has several sites in various stages of development including, Northern Illinois Fly TYers, Jeff Kennedy Studio, My Sketch Blog, Brook – Pinup Fishing Illustrations, Callibaetis, and of course, Drawing Flies!

Jeff says of his work at Drawing Flies,

“I initiated the creation of this blog as a challenge. The challenge is to draw a fly a day for an entire year. Part of the challenge is the discipline to accomplish this every day and the other is to expand my creativity and to help find my artistic voice.”

At Jeff’s site, you’ll discover he is quite prolific and accomplished in many media!

As one might imagine, among Jeff’s many hobbies are fly fishing and fly tying. While the number of fishing flies I’ve tied in my life could be counted on one hand, Jeff and I share an interest in the great outdoors, streams, fishing, fishing flies, and watercolor. I could have highlighted any number of Jeff’s works, but I chose “No 18,” because—aside from appreciating the work itself—there is an interesting and informative story as to how Jeff created it. You can read about it here.

The artistic beauty of a well tied fishing fly has never escaped my attention. However, I’ve overlooked the fly as subject matter for my own work. Besides it historical significance, a fishing fly could argumentatively be thought of as a beautifully designed piece of miniaturized, utilitarian sculpture. Thus, my fascination with Jeff’’s new found direction! It is one of those, “Darn, why didn’t I think of that” things that—one time or another—happens to everyone.

If you haven’t already, I invite you to visit Drawing Flies. As Jeff stated when he began the site the first of the year, “ hang on and enjoy the ride for the next 365 days!”

Exhibition: Ink On Paper

Ink On Paper Exhibition Announcement

One might not expect information about a printmakers exhibition on a watercolor blog. However, in this case Janet Curti Haines is one of the the three exhibiting artists. Janet and her husband, Dale are high school classmates of mine and reason enough to plug her work whenever the opportunity presents itself. While Jane is an excellent watercolor artist, she works in other media also.

The exhibition also features the work of Betty Watson, and Joy Price, who along with Janet are members of the Mt. Shasta Printmakers Collective.

Ink on Paper, runs February 11-19, 2008. Reception: Valentine’s day, Feb. 14, 3-7 pm. College of the Siskiyous Art Gallery, Learning Resources Center, 800 College Ave, Weed, CA. Gallery open Mon. – Fri., 9am-5pm.

GUEST ARTIST – David Peterson

Your Corner - Watercolor by David Peterson
Your Corner – Watercolor by David Peterson

David Peterson is Artist of the Month, February 6, 2008- March 6, 2008, at University Art’s North Sacramento store, 2610 Marconi Avenue, Sacramento, CA. On exhibit are six of David’s paintings featuring translations of various neighborhood subjects.

David’s web site notes that, “David Peterson, Sacramento artist, is in a hurry. Recently renewing himself, in 2002, with the passion to paint that he had as a 19-year-old, and in spite of a full time job, and volunteering, he finds time to paint hundreds watercolors a year … David portrays the familiar scenes of our neighborhood in an humorous and enigmatic way. He shows you California landmarks differently, simply and in a unique manner.”

I can attest that David is dedicated and passionate about his work. He ranks as one of the hardest working, most determined artists one could imagine. You can see more of David’s work at his website, www.aquarellist.com

Read the rest of this entry »

Impromptu Collaboration

Impromptu Collaboration - Watercolor by Woody Hansen
Impromptu Collaboration – Group Watercolor

“Creativity arises out of the tension between spontaneity and limitations, the latter (like the river banks) forcing the spontaneity into the various forms which are essential to the work of art or poem.” — Rollo May

The title of this painting is a clue as to its creation. Impromptu Collaboration, is just that; an impromptu collaboration between Free Friday participants, Rich, Cindy, David, and Woody (that’s me). I have, on occasion, done a few collaborative works in the past. However, this painting occurred quite by accident.

On this bright, cold, Friday morning David, Rich, and I were joined by Cindy, a newcomer to our gathering. After setting up by the river, I spent some time attempting to acclimate Cindy to painting with watercolor in the outdoor environment, etc.

Cindy had informed me she believed, despite a few lessons here and there, herself to be a beginner at watercolor painting. After spending some time giving Cindy what was probably information overload, I decided to do a quick demo painting, All this time David and Rich had been painting away on their own creations.

I noticed Rich had a nice beginning but seemed to have reached an impasse. I asked whether he thought it might help for me to use his value sketch as a basis for my painting. Rich replied in the affirmative. So, shortly thereafter, I began laying in my interpretation of Rich’s sketch. I used a black marker to draw directly on a sheet of 140-pound, Lana Aquarelle paper which I had purchased years ago, and just discovered in a back closet earlier in the week.

After laying in the basic shapes and suggesting three values with black marker line work, I asked Cindy to pick a color from my palette. She selected red, so that became the initial, or dominant color with which I began my painting.

The painting progressed, almost to completion. I wasn’t overly pleased with my progress and a group critique developed. The last thing I had done was, In a somewhat desperate move, to ink in the outline of a cloud. I didn’t like the way it turned out; too dominate.

Next, a group critique developed. David said he thought he could contribute a solution. I asked him to go for it as the painting was nearly a lost cause as it was. David took some opaque blue and immediately covered a significant portion of my cloud line work (good move). We all thought that had improved the painting.

But then, as we all tend to do, David went a step too far and added more blue to the water which tended to lose a dominate white shape! Now, everyone but Cindy went back to his own painting while I was left to clean up my own dirty laundry. I decided to go with the blue in an attempt to disperse the color throughout the painting.

At the end of the day, David, Rich, and I told Cindy this was a wonderful demonstration of what not to do! I further advised her to “do as I say, not as I do!” We packed up and called it a morning’s work.

Later that afternoon, I went into the studio to see whether I might do something—anything—to salvage a lost cause. Then it occurred to me—despite many warts—this painting might make for an interesting, if not informative, blog post. So here it is, for better or worse!

After some reflection, “Impromptu Collaboration,” does suggest, if somewhat marginally and unintentionally, the spirit of the morning. If nothing else I hope, our comedic attempt at painting provides some entertainment, or perhaps even a glimmer of inspiration.

Guest Artist – Ken Borger

Miller Park Bridge - Watercolor by Ken Borger
Miller Park Bridge
– Watercolor by Ken Borger

It’s been about two months since Ken Borger was last featured on this blog. Ken continues to impress with his progress. He seems to have the background, ability, and skill to paint photo-realistically. However, to me Ken is at his best when he designs abstractly as in this most enjoyable piece, Miller Park.

There is much to appreciate about this watercolor. In addition to the personal use of line, shape, value, and color, notice the sky treatment; the positioning of the vehicles on the bridge; the multiple vantage points; the treatment of the water; the unique use of the balloons as a design element, including using cast shadows to add interest to the foreground area. Fun, fun, fun!

I don’t know about you, but because of the way Ken has treated the corners my eyes take a circuitous journey through the painting, allowing for exciting little discoveries here and there along the way. The entire painting seems to exude intellectually restrained joy and happiness.

It is always interesting to see how various artists interpret the Elements and Principles of Design differently; in so doing they seem to create their own, unique approach to painting, even—in some cases—getting away with successfully breaking a “rule” or two along the way.

Nice work, Ken. Thanks for your permission to share it here!

Guest Artist – Shawn Hansen

 Camel With Six Legs
Camel With Six Legs – by Shawn Elaine Hansen
(Click image to visit Shawn’s writing site)

Chirstmas is a time for children, so I thought children’s art might be an appropriate post for the season.

Whatever the time of year, it is almost always fascinating to view the works of very young children. Now, by children I mean those young artists who might be pre-school, or in the early stages of pre or, grade school. It is a time before well meaning teachers point out to their classes that trees are green, the sky blue, and the earth, brown.

The above work is that of my daughter, Shawn. Unfortunately, I neglected to place a date on this piece at the time of origin. The good news is that, at least, I managed to get the work properly framed and, thus, protected. I can estimate the work was done around the mid to late 60’s.

To me, the beauty of this piece is the bold, rough edged line work. The quality of the edges appears to make the strokes look as if they were stamped. I also appreciate the bold, direct shapes. Then too, there is the simple, black, red, white color combination! Very direct, and unselfconscious.

Guest Artist – Barry Sholder

Hybiscus - Watercolor by Barry Sholder
Hybiscus – Watercolor by Barry Sholder

Today’s Guest Artist is Barry Sholder, a multi-talented, multimedia artist who enjoys creating watercolor paintings and caricatures of people and cars. I originally met Barry thanks to the Internet and e-mail.

Over time, we have corresponded, and I eventually asked him to be a Guest Artist on my blog. He sent me an image of Hybiscus, way back in August of this year! I am just now getting Barry’s work posted. Maybe this is what some people term, “Spinning one’s wheels?”

Anyway, when Barry’s daughter went off to North Georgia State college and University in Dahlonega, Ga., earlier this year she decided she wanted a painting for her dorm room and asked Barry to create a painting with bright pink flowers.

On his blog Barry’s Art Stuff, this is part of what Barry writes about the painting:

“This painting took 3 tries before I got what I was after. The second one was good, then I decided to just tweak it a bit, which I shouldn’t have but I did and turned my bright colors into mud. I always preach this ……but, brain ______!

By the way the pink is from Holbein Watercolors “Opera”. I use this color all the time just because it is so brilliant, and the green is Permenant green light also from Holbein. Obviously this painting is not for sale but if you like it, I can do one similar. Call 678-363-9292 or e-mail www.signandart.com”

You can see more of Barry’s work at Radical Auto Art, and at Watercolors by Barry.

Thanks for sharing, Barry! I just want to note that I admire your watercolor work, and especially enjoy the sense of humor I see in your caricatures.